We managed to build and launch MADE08 without incident and we're relieved and pleased that the response from the public has been incredible. Buyers say that this show is the best they've seen in Brighton and gives top London shows a run for their money! They praised the quality and originality of the exhibitors and the range of work on show.
The show was opened by Clare Gogerty editor of Coast Magazine - she praised the quality of work at the show and stressed the importance of supporting craft and design by individuals buying work.
"Brighton and Hove Collects Award"
The Private View also saw the launch of a new award the "Brighton and Hove Collects Award" which is a partnership between Made and Brighton and Hove Museums to purchase pieces for the museums collections. Polly Harknett the Craft Curator at Hove Museum presented the award to Nick Barberton for a carved wooden platter and Ark Glass for their exuberant blown glass.
The show continues Saturday 10.00 - 6.00 and Sunday 10.00 - 5.00 we really hope you'll get there!
Friday, 21 November 2008
MADE08 Launch
Christopher Corr at Castor and Pollux
Hot on the heals of a successful exhibition for Angie Lewin, celebrated illustrator Chris Corr is Showing a selection of paintings at Castor and Pollux.
Opening next weekend, we are treated to New York, Marrakech, Chandigarh, Merida and Brighton in Chris's imaginative style.
To see more pictures go to www.castorandpollux.co.uk.
MAKER OF THE WEEK - Katherine Bree
Katherine Bree
Semi-Precious Beaded Fashion jewellery. Colour plays a very important role in my work.
The pictures are of my winter garden collection which will be for sale at MADE.
When and where did you first want to do what you do?
Standing in the Jewellery room at Liberty' in London, looking at the inspirational designer-maker pieces for sale at that time.
Who would you say buys your work?
Individual and creative women and those who buy for them.
How do you set about starting a new project?
I create mood boards that are a culmination of what has inspired me over the previous few months.
What do you have on your pinboard?
1950's Tikki style images of film posters, postcards of tropical foliage, collections of coloured stones and shell, experimental jewellery pieces,
Where and what is your studio?
My studio is based in an old mews property in north London, which is freezing in the winter and like an oven in the summer. Although the mews is full of rubbish bins belonging to the shops that back onto it, I have a beautiful little roof garden where a trainee horticulturalist friend of mine likes to experiment with new planting ideas. It started as a black garden, all black foliage and flowers and now has bright oranges and purples, cabbages, a grape vine and a weeping willow. I work alone, but listen to BBC London which keeps me sane! Vanessa Feltz, Robert Elms and Danny Baker are my constant companions.
Surprising activity/hobby?
I recently took up tap dancing which is great escapism!
Do you have a good work/life balance? Are you able to switch off from art work?
I rarely switch off. I constantly have design ideas racing around my head, too many to produce.
Do you think art and craft has any real importance?
I think art and craft is essential in this world of speed and technology. For makers and appreciators, it is a doorway through to the soul.
Are their other fields that you'd like to apply some facet of your work into?
I originally qualified in textile design. Publications such as 'Selvedge magazine' http://www.selvedge.org/ are really inspiring in their portrayal of textile designers and it's giving me a hankering to take up textile design again.
Can anything be 'art'?
If 'Art' stands for ideas then I guess anything may be art. But in this society it appears this only applies if the artist has a qualification.
Thursday, 20 November 2008
MAKER OF THE WEEK - Anna Tilson
ANNA TILSON MOSAICS
Brighton based AnnaTilson has been making mosaics for more than 9 years.
She uses only carefully selected vintage crockery to bring a new quirky slant to mosaic making. Turning old discarded plates and cups left at the back of the cupboard, into new precious objects.
Anna Tilson’s work is inspired by a combination of a Victorian boudoir and a 1930’s tea room – nostalgic and whimsical.
All her pieces are original one – off designs and the range includes fancy mirrors, eclectic vases, romantic brooches and fancy floral wall plaques.
Where and what is your studio?
I work at Cross Street Studios in Hove. We’re just off the seafront, and there are 12 of us on 3 open plan floors. We are big Radio 4 fans on the top floor where I work.
What do you have on your pin board?
Photos of my children, postcards from exhibitions and a few badges. See photo.
What is your favourite website?
www.buses.co.uk. Bulk buy reduced priced bus tickets for Brighton’s expensive public transport
One favourite living artist?
Gillian Ayres. She paints large, exuberant and colourful paintings which lift your spirits.
One living craft maker?
Grainne Morton. She makes beautifully made jewellery using obscure and miniature objects.
One favourite historical artist?
Marie Laurencin. Beautiful, simple paintings using delicate and feminine colours.
What was the last craft thing you purchased?
A lovely rose transfer mug by Hanne Rysgaard which I bought at this year’s Origins. I have used it every day since I bought it!
Tuesday, 18 November 2008
MADE08 - scotching rumours
I got a news of a disturbing rumour today going round that MADE08 had been cancelled -it hasn't, it starts on Thursday and it's looking fantastic!
I have tracked down the source of the rumour though - another event called "Brighton Loves Handmade" which was to have taken place at Fabrica in December has been cancelled, although their website doesn't yet mention that fact.
So please all come to MADE08- Brighton's design and Craft Fair this weekend and bring your chequebooks!
MAKER OF THE WEEK - Natsu Nishimoto
Natsu Nishimoto
One favourite historical artist?
Gaudi - Because of his strikingly original works, that always inspire me and give me ideas.
What place in the world has inspired you?
Everywhere where there is wilderness, - that is my source of organic images.
At age 15 who influenced your style? Was there any individual who very much helped you on your way?
My father
Last best read?
The Golden Compass by Philip Pulman
What do you have on your pinboard?
Images that give me ideas. Photo of my family.
Do you have a good work/life balance?
Not really...
Are you able to switch off from art work?
No, I can not stop thinking.
What one word would describe your feeling of doing your work?
Enjoyment
Would you rather be doing something else?
NO
Do you think art and craft has any real importance?
YES
Can anything be 'art'?
NO
Click Here to Read More..
Sunday, 16 November 2008
MAKER OF THE WEEK - Amanda Glanville, The Earring Cafe
Amanda Glanville, The Earring Café
I’m a Glass Beadmaker. I like to think my beads are funky, theatrical, with a great sense of colour. They are collected in their own right as ‘objects’, used by other makers in their own work or combined by me into simple jewellery with contemporary clean lines.
One favourite living craft maker?
I can’t chose between jewellers Peter Chang and Wendy Ramshaw
Chang for his fearless use of colour and form, innovation in a material seen as throwaway (he works in plastic I work in glass – and heaven help us, glass BEADS!) and the way his jewellery leaps out of photographs with a sense of how tactile it is.
Ramshaw mainly for her stacking ring sets. They blow me away with their sense of theatre and fearless futuristic forms. They are definitely are my Desert Island Discs ‘object’ (see below!)
What one product/item do you really covet?
I would absolute love to own a Wendy Ramshaw stacking ring set for the sheer cleverness and finished-ness of having something that looks as fantastic worn as not worn. Although (and you can tell I’ve really thought about this) I would like the delayed gratification of having a section of the piece posted to me once a month for however long it takes – hopefully an endless process.
How much do you bend your 'vision' to suit the marketplace?
Working in glass I am subject to the awful temptation that the glass manufactures put in my way – new colours. As an avid reader of Vogue and Harpers I’m also swayed by the changing world of fashion so I’d say that I definitely watch both these areas and bend my work to suit the current colours. For instance I’ve got a collection of tartan and paisley beads (both catwalk themes for Autumn 2008) which both use new colours of glass – so everyone’s happy!
Generally I’m realistic enough to want my work to be affordable but unique – it’s to be worn and cherished so shouldn’t have a shelf life, but should always have that Wow factor that makes someone stop and stare at it.
How do you set about starting a new project?
I’ve got to go through a bit of agony of self doubt. I’m absolutely rubbish at bigging myself up and definitely need pressure to really condense my thoughts. I usually spend ages mulling something over with weeks to go, ignore it for a bit then rush at it when all my best ideas come tumbling out. Thanks to a philosophy course I’m doing I’m started to watch the way I work which is really interesting and not very easy! It does help to slow down and try and get in the ‘zone’, and allow the skills to almost do the work naturally, but it’s not always easy to drop the manic-Amanda-creative-rush mode!
What do you have on your pinboard?
Scraps of colour inspiration from magazine, postcards etc
Pictures drawn for me by the young daughter of a friend who lives in deepest Aberdeenshire
A cartoon from a fellow beadmaker joking about why you should never take on teenage work experience students.
Copies of invoices
List of stuff I’m running out of.
Copy of my weekly checklist – Monday morning job: make large pot of coffee and go through the different areas of work.
A brilliant card sent to me by a friend featuring the ‘self employed office party’ – worker and cat both wearing party hats and trying to photograph themselves!
What is your favourite website?
My favourite website is Fed by Birds a completely eclectic web feed which is endlessly inspiring. I think it’s maintained by a writer who has got a fantastic eye for all things magpie-ish and eccentric (reminds me of my Dad who taught me to really look for the unusual in things). I love the fact that you can visit it and discover 1920s shop window displays, surreal children’s book covers or sounds recorded on location in Brighton!
Surprising activity/hobby?
I’m very torn between the world of theatre and the world of craft, having trained as a drama teacher and being an avid (some would say anoraky) theatre goer. I suppose I’m fairly unusual in that I go to the theatre more than I go to the pub (ie at least once a week) and it’s usually something quirky in a village hall, studio theatre or a draughty weird place up a dark alley.
I sometimes muse on whether I’d choose between beads or theatre if put on the spot but as I’m married to a contemporary dancer, it would be a near impossible choice. Don’t get me started on my greatest hits theatre shows, you’ll be here all night!!
What do think are crimes against good taste & decency in art/craft/design?
Ooh there’s a very fine line in craft between the kitsch and the bloody awful. It’s all a matter of opinion, and the crafts are undergoing such a resurgence of the DIY movement at the moment we could be at the mercy of the Changing Rooms circa 1990 effect of painting a perfectly good living room purple and sticking a gold throne in there.
I’m also depressed by the ‘Cath Kidson’ school of craft pieces still being churned out. Especially when you see it being done by new graduates. Come on – the 50s housewife look has really had its day!
everything has to be coldly modernist, or stark and unfriendly but you can feel the current-ness of a really good piece of art without it seeming to date.
Most underated artist/maker?
I’ve met some wonderful makers who are quietly doing their thing locally while holding down other jobs / raising a family. There are too many of them to mention but their work jumps out at you as something really special. I’ve got a superb teapot made by someone I met knitting socks on her stall in Suffolk! These makers remind me of the really great actors who make it look effortless and raise the art to an ‘artform’. They’re all just getting on with the job, ignoring the PR and the funding opportunities, just doing what they want to do when they want to do it.
Most overated artist/maker?
Mister Damien Hirst. Too much selfconscious showbiz. Too greedy. Stick him in a garret with a pencil and sheet of paper and let’s find out what he can really do without the crowds of sycophants who surround him!
If you could exhibit in any gallery which would it be?
Top floor of the Pompidou Centre, Paris.
I last visited when I was 14 and was blown away by a combination of huge Cubist art and great views of sunsets across the rooftops. How great would a bunch of tiny glass beads be up there? I think the Parisians are cool enough to take it!
