The Dialogue project was started by Helen Carnac and
Mikala Djorup in 1999 to allow verbal and practical exchanges between jewellery
and silversmithing students and lecturers from The Cass, London and the
Alchimia Jewellery School in Florence. The subsequent ‘conversations’
culminated in a number of exhibitions at both institutes and external events,
e.g. the Inhorgenta jewellery fair in Munich and on a London Routemaster bus
(‘Dialogue 5: Travel’) during the Association of Contemporary Jewellery’s
‘Carry the Can’ conference of 2006.
When Carnac left in 2006 The Dialogue project became
the Dialogue Collective, it retained its remit; to discuss, explore and develop
new approaches to design, fabricating, curating and showing jewellery and
silversmithing as a collaborative process.
The relationship with and the experience of, the viewer/buyer remains
uppermost in minds of the Collective. Their use of games and activities
alongside exhibitions is becoming a stalwart of the Collective and works well
to engage people and open up dialogues.
With 13 themed events under its belt in total and 8
separate exhibitions in the last two and a half years the Dialogue Collective
is gathering a momentum. They regularly curate an exhibition during Schmuck in
Munich and this year debuted to great acclaim at the Legnica Jewellery
Festival, Poland. Their show at the Manoir D’Ango, France completed the
‘Dialogue 12: Renaissance’ trilogy of exhibitions early this year. Future shows
in Belgium, Munich and MADE London make it look like another busy period for
the Collective.
The London based collective has 20 current members,
all bar one, who is an invited artist, have a connection to The Cass, and
mirrors the diverse make up of the capital with makers originally from
Australia, Finland, Estonia, France, Poland, Italy, Portugal, Bahrain as well
as Britain. The energy within the Collective and at the events they create is
partly due to the Collective’s balance of undergraduates with their
fearlessness and positive naivety alongside established makers who bring their
experience and knowledge. As the Dialogue Collective grows, the interests and
focus of its members also advances and diversifies leading to splinter projects
focusing on commercialism, craft, art and drawing.
£20 Project
In 2010 the Dialogue Collective opened a Pop up Shop
for one week on Columbia Road in London. It sold Contemporary Jewellery and
Silvermithing pieces, designed and made by members of the Collective plus
invited guest practitioners. Everything for sale was priced at £20. It was the
first time the Collective had presented work to an audience who had little or
no experience of contemporary jewellery and silversmithing and it was a great
success. The range of work was breathtaking - approximately 300 pieces, reflecting the varied approaches of 27 makers. The challenge to produce work for £20 led some to focus on their choices of materials, some on manufacturing processes and some on the perception of value. The motivation wasn’t necessarily in producing something that sold at £20 but in producing something that was innovative, retained the integrity of more expensive contemporary work and that could successfully retail at a low price. Some pieces worked really well and some not so, it was left to the audience and their wallets to decide but what was clearly apparent was that the myriad of solutions produced an exciting and energetic show.
The Dialogue Collective has again taken up the challenge for MADE London. Each maker is designing and making a limited edition piece that will retail at £20. Presenting the visitors to MADE London with a wall of (approximately) 150 pieces of jewellery and silversmithing. Offering a fantastic opportunity to pick up something unique from either an emerging young talent or a more established maker at a very reasonable price.
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